Showing posts with label The Pageant. Show all posts
Showing posts with label The Pageant. Show all posts

Saturday, April 15, 2017

Concert Review: Gene Simmons at the Pageant in St. Louis April 8, 2017 -photos and words by Danny Nichols



Gene Simmons came to town for the systemic price gouging event known as Wizard World. Even though I had already had the privilege of interviewing Gene by telephone in February, I ponied up the exorbitant fee to briefly stand beside him in person and have him sign an album.  Here was the KISS demon, a man who exudes cool and dominates a room like no one I had ever observed.  A man who confidently walked into the football stadium where the convention was held, and asked the staff about its capacity, knowing he had filled venues of this size before, and could do so again with a few phone calls.  Still, as much as I enjoyed observing him in the element of celebrity and businessman, it paled in comparison to watching him in his true element of the stage.  The lower levels of the Pageant Theater were mostly filled for a much more fairly priced performance by his solo band.
When I had interviewed Gene in February about his upcoming solo tour I asked him about the set list.  He was tight lipped about the details at the time, but indicated it would feature several selections from the roots of rock-n-roll, such as Otis Redding, Wilson Pickett and Roy Head, and might not be as many KISS songs as the audience would think. A solo tour is a perfect opportunity for a rock innovator such as Simmons to pay homage to his influences.  It might also be true the audience, having seen many KISS shows, would enjoy seeing Simmons open a set with something other than “Deuce”.  This was fine by me, as I purchased a ticket fully expecting half the songs to be covers.  However, when Simmons and his band did indeed storm the stage with a thunderous rendition of “Deuce” I discovered it was exactly what I wanted to hear.  It did not let up from there, as the set was almost entirely glorious and mighty KISS songs.  The lone exception being when the band covered “Johnny Be Goode” in tribute to the recently deceased Chuck Berry. Simmons  attended Berry’s funeral the following day.



Tuesday, October 25, 2016

Concert Review: Ghost at the Pageant in St. Louis, September 28, 2016 - Words and Pictures by Danny Nichols

My definition of a metal elitist is one who declares any band they do not like as being "not metal" and /or asserting any such band should not exist.  In the age of the internet it is a popular metal elitist activity to declare Ghost as being not metal.  I disagree.

Tuesday, October 4, 2016

Concert Review: Slayer at the Pageant in St. Louis September 22, 2016 -photos and words by Danny Nichols

Slayer guitarist Kerry King
After a thirty five year career which has included twelve albums (four of them gold), achieving legend status among the thrash metal scene, being a principal influence for the death metal scene, inciting constant controversy and enduring the recent loss of two of their founding members (one through death and one through departure), Slayer still show no signs of slowing down.





Their rabid fanbase shows no sign of letting them. This bombastic celebration of all which is brutal rolled into a sold out Pageant Theater in St. Louis, Missouri.

Slayer delivered twenty relentless songs, with barely a moment for one to catch their breath.  The violence of their lyrics was matched, to some degree, by the spontaneous mosh pits which kept forming during their songs.  The band didn't waste too much time between songs, excepting when bassist/singer Tom Arraya paused to inform us the next song was going to be a love song, before hurling full steam into the decidedly unromantic "Dead Skin Mask".   The attack was fierce and fast, exactly as we wanted it.
Slayer bassist and vocalist Tom Araya
The most noticeable thing about Slayer's sonic onslaught was the volume of Tom Araya's bass guitar.  It rattled your bones and shook the rafters. Periodically, a strip of confetti left over from some previous show at the venue would shake loose and float down into the crowd.

The following week I was back at the Pageant for a show by Ghost and saw one final piece of confetti float down during their performance and wondered how it could have possibly survived the Slayer show.

Thursday, September 29, 2016

Concert Review: Anthrax at the Pageant in St. Louis September 22, 2016 -photos and words by Danny Nichols


Frank Bello and Joey Belladonna of Anthrax
On a Thursday night in September St. Louis, Missouri witnessed two of the Big Four of thrash metal, Anthrax and Slayer, on a night which both celebrated the long tradition of the genre and showcased the newest material from these legendary bands.  

This was the fifth time I had seen Anthrax, and once again they delivered with authority.  Anthrax are touring in support of their new album and the set list reflected this, with four of the nines songs they played coming from "For All Kings".  


A fifth song came from the also recently released "Worship Music".  By the time they played the two covers they made famous, "Got the Time" and "Antisocial", this left only two songs left from which to represent their massive catalogue of influential and beloved music.   Yet in many ways this was exactly the point.  Anthrax is more than their epic backstory. They continue to be relevant,writing and performing songs as well as at any point in their history. 

Scott Ian

Tuesday, September 27, 2016

Concert Review and Photos: Death Angel at The Pageant in St. Louis September 22, 2016


Death Angel's Rob Cavestany

With the evening's lineup featuring three champions of thrash metal; Death Angel, Anthrax and Slayer, the Pageant was sold out. Befitting their place among the heavyweights of the genre, the venue was nearly at capacity in time for the first notes of the opening act.

Death Angel were treated like conquering heroes by an audience who does not get to hear this band nearly often enough. The set list was blistering, furious and intense, but tragically only six songs long.  

Death Angel took the stage with an abbreviated version of "The Ultra-Violence" from their debut album of the same name. This segued into a pummeling rendition of "Evil Priest", also off the first album.  
Vocalist Mark Osegueda