A lot has changed since I first heard “Eight of Swords” in early 2012 and instantly fell head over heels in love with the band Huntress. Their debut album Spell Eater is a masterpiece of dark pagan metal, which is very reminiscent of classic Mercyful Fate.
Jill Janus had somehow mastered the four octave vocal style of the previously believed inimitable King Diamond. The riffs carry all the precision and power of thrash metal, with a clear black metal influence. The subject matter drew heavily from Janus’ deep connection with and knowledge of witchcraft.
Subsequent albums Starbound
Beast and Static have moved a
little away from the Mercyful Fate sound, and closer to a darkened power metal. Comparisons in their
sound now could be drawn to bands like
Hammerfall and Helloween, except still uniquely harkening back to classic first wave
black metal and early thrash metal.
Lyrically, while still maintaining a foothold in the world of the
occult, Huntress shifted focus first to a metaphorical fascination with
celestial matters and then with an exploration of mental distress.
Huntress |
I was very excited to hear Huntress had announced a brief headlining tour and was making a stop in St. Louis. I had only ever seen them before as an opening act, which only afforded them enough time to play about five songs. This time we were finally treated to thirteen full length songs in all their epic glory.
The set list was weighted towards the new album, featuring
six songs from Static, four from Starbound Beast and three from Spell Eater. The songs were expertly chosen and contained almost all of the best Huntress songs, such as the above mentioned "Eight of Swords", "Spell Eater" and their latest "Flesh". The only omission of regret was "I Want To Want to Wake Up", which is on frequent rotation in my car, but did not make the set list.
Most importantly they played “Destroy Your
Life” which is easily one of my favorite songs of all time. Huntress’ lyrics and music are always intense
and powerful, but this song in particular is so closely aligned with both my
musical tastes and personal philosophies I have an attachment to it as though I had
written it myself.
When discussing this with Janus, I was tempted to ask her about the song’s meaning, but decided I
would be disappointed if my interpretation was other than her intent, and thus left
the question unasked. Instead, I presumptuously
demanded of Janus, Meahl and Santana it never be removed from their set list, at least not in St. Louis,
even if they were fifteen albums into their career and sick of playing it.
Jill Janus |
Huntress |
Jill Janus |
Later this month, Huntress will be opening for Black Sabbath
at a festival in California. The crowd
there will dwarf those of us assembled to see heavy metal on a Wednesday in
downtown St. Louis. Still Huntress tore
through their set with an energy , enthusiasm and ferocity befitting a sold out amphitheater. Sure the folks in San Bernardino will get Tony
Iommi and a lot more bands, but we got thirteen Huntress songs delivered up close in full force. We are the lucky ones.
The intensity of the music demanded continuous head banging, exuberant horned fist throwing and repeated guttural yelps of appreciation, which ensured Thursday would be a day of soreness. An apology is owed to Janus as I attempted to sing along, in my decidedly one octave voice. Blake Meahl and Santana smashed through riff after glorious riff , trading furious solos. Harris and Tyler Meahl provided the dominating rhythm section which is so essential to Huntress' music. And of course, Janus of the seemingly indefatigable voice, hit every note perfectly. This truly was heavy metal at its finest.
Tyler Meahl |
The intensity of the music demanded continuous head banging, exuberant horned fist throwing and repeated guttural yelps of appreciation, which ensured Thursday would be a day of soreness. An apology is owed to Janus as I attempted to sing along, in my decidedly one octave voice. Blake Meahl and Santana smashed through riff after glorious riff , trading furious solos. Harris and Tyler Meahl provided the dominating rhythm section which is so essential to Huntress' music. And of course, Janus of the seemingly indefatigable voice, hit every note perfectly. This truly was heavy metal at its finest.
Eli Santana |
Janus |
The second reason is they possess the
talent to have made a career in any genre of music, and yet chose metal. The
operatically trained Janus has a voice which would make Whitney Houston jealous. The band has an equal mastery of their instruments, which could probably land them a gig in a more lucrative musical world than the pubs of middle America. Yet here they were bringing the metal to the tragically underserved metalheads of St. Louis.
They are about to embark on a set of shows with Sabaton and Trivium which includes the Black Sabbath show. They could have patiently waited in California for this to start. Instead they spent the intervening weeks packed into a van on a Taco Bell fueled road trip to Missouri. They even played a show in Springfield, Missouri, which is not exactly the heavy metal capital of the world. Their devotion to the craft has not
gone unnoticed.
Following the show I begged Janus to stay the course and keep Huntress going strong. She assured me there was no turning back and
she was “full beast mode now”. Blake Meal indicated the same in my brief conversation with him. Thank you for this
Huntress. The world needs your music, and it was delivered in fine fashion in St. Louis.
Eric Harris |
Huntress |
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